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Composite Sculpting

Chameleon Composite using ART Technology

(Afternoon tea pics 1439.1: Kerr Simplishade Medium | ART Technology) How does it work? The A.R.T. filler system here allows an adaptive color technology to do the chameleon hard yakka […]

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Class 5 bangers with GC Essentia U

Aggressive Class V caries with an extent of mesial wrap on tooth #6.  Otherwise, tooth #22 features just straight buccal decay, restored simply using a single shade of the 50:50 […]

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GC G-aenial A’Chord | Garrison Compositight 3D Fusion

GC’s new formulation of supercomposite is here.  If it is as tough as it feels,  looks like it can be used predictably in any indication. #GarrisonCompositight3DFusion #GCGaenialAchord

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Restoration of Molar Hypomineralization and old Amalgam

#30O hypomineralized lesion with volume loss and separate B lesion restored simultaneously with a single layer of a supercomposite.  Always try to minimize lateral excursive load as composites are weaker […]

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Fissurotomy and Restoration Replacement on a Molar

Simple fissurotomy and sealant using an A2 shade of Voco Grandio SO flowable and Voco Grandio SO paired with some Final Touch brown fissure tint. #VocoGrandioSO #GrandioSOflow #FinalTouchtint

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Posterior Molar Esthetics

Making Molars look natural with composite

A bit heavy on that tint #coffeedrinkeresthetic #VocoGrandioSO

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Composite Maintenance Partial Replacement Restoration

Combination maintenance of an old composite restoration with marginal erosive breakdown and caries on the D aspect.  Bonding to both the silica component and resin components of the old composite […]

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How to use GC Optiglaze to balance opacity

Removing the last amalgam in this lovely woman’s mouth brought her so much joy.  What brought me joy was the subtle use of Grey Optiglaze Color to tone down the […]

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Linguoverted bicuspids heavily restored with amalgams revitalized

The linguoverted position of #28 and 29 (4.4/4.5) along with a marked Curve of Spee prevented ease of seating of the Garrison Strata-G matrix, but we got there in the […]

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