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Dental Anatomy

Microlayered Composite Restoration

#MicrolayeredCompositeRestoration #VocoGrandioSO #VocoFinalTouch

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Conservative Composite Restorations

Amalgam replacement for this lovely gentleman.  Single shade technique using A2 Grandio SO and some Final Touch Brown. #ConservativeClassIreplacement #VocoGrandioSO #VocoFinalTouch

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Voco Grandio SO Class II

It is fortunate that this patient had a posterior open bite so there were zero occlusal adjustments.  See you all in Sydney. #VocoGrandioSO #ClassII

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Dental Amalgam Removed along with caries

Amalgam and caries removal along with some affected hypomineralized tissue in the region. #VocoGrandioSO #VocoFinalTouch

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Invisible Slot Restoration

INVISIBILITY | Slot preps within an old Class II be like. #VocoGrandioSO #InvisibleDentistry #GarrisonCompositight3DFusion

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Extreme Class V cervical abrasion lesions

Had a 7:45am patient with these “extreme” Class V bangers this morning and incipient caries on tooth #25/4.1.  The shade used was A3.5 from GC G-aenial A’Chord which features flexural […]

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Conservative Full Coverage Indirect Restorations

(Afternoon tea pics 1300.1: Voco Grandio SO) The typical margin for any circumferential case above the equator of the tooth is a long bevel, as the occlusofacial and occlusolingual line […]

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Replacing Part of an old Dental Composite Restoration

#VocoGrandioSO #PartialReplacementRestoration #GarrisonDental #MatrixinMatrix This case featured a partial replacement on the first molar as the distal was intact for the most part and the patient’s primary concern was around […]

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Restoring Large Dental Caries

Caries ambush on this first bicuspid with a mesial extension.  The contact on tooth #6D needed to be plastied slightly in order for passive fit of the Garrison sectional matrix […]

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Cervical Abrasion can be aggravated by erosion

Retraction cord is my preferred method of isolating Class V’s, especially those with subgingival extensions.  Visibility is just supreme, and there is minimal discomfort whereas often when I use Brinker […]

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