Amalgam removal and stain blockout
(Afternoon tea pics 1342.6: Voco Grandio SO) Amalgam removal and skulpting. Block-out attempted with XL2 however the distal marginal ridge was “compromised with deep dentin staining”. #Voco #GrandioSO […]
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Refacing teeth with noninvasive bonded composite
Extensive Class V lesions restored with a single shade of #GC #EssentiaU
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Blocking out Darkly stained dentin from cavities
Class I marathon continues. This slow progressing semi-arrested caries subtype deeply stained the dentin requiring us to use a blockout agent (I like XL2 by Kerr Herculite) before the occlusal […]
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Class I composite and caries restored with Voco Grandio SO
#Voco #GrandioSO #EverydayBiomimicry #BRD #SkulptingSkool #TamDentalGroup
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Dens Invaginatus Restorations that Mimic Nature
Skulpting a replacement for early marginal failure covering this dens invaginatus on #10 (2.2) – the deep “intact” layer was left as to minimize any pulpal involvement and the hermetic […]
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Restoring teeth with a dental supercomposite material
(Afternoon tea pics 1337.2: Voco Grandio SO A3) Restoring a Class III with a single shade of A3 from the OG Supercomposite. Flexural strength: 187MPa #Voco #GrandioSO #Ultradent […]
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Esthetic Harmony in High End Direct Composite Artistry
Composite veneer #8 with crown lengthening/osseous recontouring and tunnel type hypoplastic cervical defect #9 and MIB aspect restoration 1 week reassessment. Pleased with the soft tissue resolution thus far. #Kerr […]
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Amalgam removal and biomimetic composite resin replacement
#Voco #GrandioSO #Amalgamremoval #Amalgamreplacement
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Smile Redesign has a major impact on face
(Afternoon tea pics 1334.7: IPS e-max HT) Delicate balance of restoration features to try to align this lovely patient’s smile without the use of orthodontic pre-prosthetic alignment. What a […]
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Back to back deep cavities
(Afternoon tea pics 1333.9: Voco Grandio SO) Deep caries and recurrent caries on these premolars restored always one at a time to control interproximal contours. Restored using a single […]
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